As you can tell I focused on underbusts and experimenting with different patterns over the year. The last three corsets are all from the same pattern, made to different measurements. I plan to start offering this pattern of corset made-to-measure on etsy soon. Also the red taffeta corset with velvet scrolls and the brown and gold brocade corsets are still for sale.
Monday, December 30, 2013
2013 In Corsets
This is mostly for my own reference and to document a lot of what I've been up to in the last year, most of which I didn't post on this blog. So here are all the corsets I made in 2013.
Thursday, December 26, 2013
Monday, December 23, 2013
Best of Steam Ingenious - 2013
It's strange to look back on the past year of this blog. Although I'm proud of a number of things I've done here in the past year, I realize I intended to do more. Especially in terms of tutorials. My attention has been distracted quite a lot by my seamstress and corsetmaking business. One of my resolutions for 2014 is to set aside time to create some awesome tutorials for the blog. I have the ideas, I just have to actually DO them.
But here are my favorite posts from this past year. Check them out if you missed any of them!
I'm sure there are a few corsetmaking forums that are tired of me linking to this post every time the topic of tipping bones comes up. But this seriously has CHANGED MY LIFE! I have always hated tipping bones and this is such a quick, easy, and clean way of doing it, that I can't stop telling people about it.
Inventing this gun-painting technique is something I'm really proud of. It's simple, quick, and ends up looking fairly impressive. Plus, it doesn't require you to be very good at painting!
My only really huge costume project of the year! The Steampunk Cleopatra was finished in February, but only really got worn towards the summer.
My Handheld Energy Cannon is another creation I've proud of. It took a while to turn my perfect thrift store lamp into this gun, but it was worth it.
On The Subject Of "Gluing A Gear On It" - Probably my most popular post of the year, excepting the 2172 contest. I'm glad that people resonated with this essay celebrating decorative gears.
Tutorial: DIY Boot/Ankle Cuffs to add a little steam to any pair of boots.
The Corset Myths Series
Myth #1: Corsets Are Painful
Myth #2: You Can't Breathe In A Corset
Myth #3: Corsets Are Bad For Your Health
Where You Should and Should Not Buy a Corset Series:
But here are my favorite posts from this past year. Check them out if you missed any of them!
I'm sure there are a few corsetmaking forums that are tired of me linking to this post every time the topic of tipping bones comes up. But this seriously has CHANGED MY LIFE! I have always hated tipping bones and this is such a quick, easy, and clean way of doing it, that I can't stop telling people about it.
Inventing this gun-painting technique is something I'm really proud of. It's simple, quick, and ends up looking fairly impressive. Plus, it doesn't require you to be very good at painting!
My only really huge costume project of the year! The Steampunk Cleopatra was finished in February, but only really got worn towards the summer.
My Handheld Energy Cannon is another creation I've proud of. It took a while to turn my perfect thrift store lamp into this gun, but it was worth it.
On The Subject Of "Gluing A Gear On It" - Probably my most popular post of the year, excepting the 2172 contest. I'm glad that people resonated with this essay celebrating decorative gears.
Tutorial: DIY Boot/Ankle Cuffs to add a little steam to any pair of boots.
The Corset Myths Series
Myth #1: Corsets Are Painful
Myth #2: You Can't Breathe In A Corset
Myth #3: Corsets Are Bad For Your Health
Where You Should and Should Not Buy a Corset Series:
Where You SHOULD Buy a Corset, Part 1
Where You Should Buy a Corset, Part 2
Where You Should Buy a Corset, Part 2
I hope you all are having/have had/will have a Happy Holidays!
Friday, December 20, 2013
Friday Finds: Steampunk Poster Art
I have a huge affinity for poster art of all kinds and some of my favorite are retro-styled posters with steampunk subject matter. In a world where I had infinite money for decorating I'd want to cover the walls of a room with these.
I love this Art Deco steampunk poster by artist Garth FT. It's got lovely dieselpunk elements thrown in.
This Great Western Air Ship ad is part of a fantastic series available to purchase from Brian Giberson.
I love this adorable poster print from Dr. Geof. Public service messages are important.
A fantastic mission statement for all of steampunk, with great detail. Available for sale by Waxwork and Daring.
I love the artist's conception of the bottom-rung job on an airship being "ballast." Artist Bradley W. Schenck has a ton of retro posters, not many steampunk, it seems.
I love this Art Deco steampunk poster by artist Garth FT. It's got lovely dieselpunk elements thrown in.
This Great Western Air Ship ad is part of a fantastic series available to purchase from Brian Giberson.
I love this adorable poster print from Dr. Geof. Public service messages are important.
A fantastic mission statement for all of steampunk, with great detail. Available for sale by Waxwork and Daring.
I love the artist's conception of the bottom-rung job on an airship being "ballast." Artist Bradley W. Schenck has a ton of retro posters, not many steampunk, it seems.
Tuesday, December 17, 2013
Living a Steampunk Lifestyle

Sometimes the latter term is used to describe someone who wears steampunk dress every day. Now, I'm a cynic, and I think most of the time the term "steampunk lifestyler" is used by and for men who dress slightly more formally than usual. Wearing vests and maybe hats is considered by some sufficient to be a lifestyler. It's certainly a much more complicated issue for women, since bustles aren't generally considered appropriate office wear.
But regardless of whether that particular term is gender biased, I think that's a pretty shallow definition of a steampunk lifestyle. Although steampunk is an aesthetic most often expressed through clothing and costume, I don't think it's all about what you wear.
I think steampunk is also an attitude, a philosophy, and a way of approaching things. Steampunk celebrates DIY, remixing, reusing, and repurposing. Steampunk includes an appreciation for beautiful things, decoration for decoration's sake, and quality craftsmanship. Steampunk doesn't follow the rules and defies expectations.
And I think all of these ideals can be used to live a steampunk lifestyle, regardless of what you happen to be wearing.
I'll be the first to admit, if I'm not at a steampunk event, I'm most likely wearing a T-shirt and some form of pants. (I may also be wearing a corset, but that's not so much a fashion choice as a back-support issue.) I own skirts and more fashionable items, but most of the time I go for the easy and practical. I think it's neat when people want to incorporate a steampunk look into their everyday clothes, but I don't feel any real need to do so. If I worked an office job these days, particularly one where I needed to dress nicely, I might feel differently.
But I still feel that steampunk has affected my life on a deeper level. The number one thing steampunk has taught me is that I can do a lot of things. I can make things from scratch. I can learn new skills. If you take things step-by-step, do your research, and try your best, it's amazing what you can do.
And this knowledge has infiltrated my life in lots of little ways. My first instinct when I need something is no longer to go to the store and buy it. My first thought is "can I make it myself?" Which is why I now make my own laundry detergent, coffee creamer, and cleaning supplies. Recently I realized I really needed new underwear, but decided to try making my own. And I can make them in any fabric, exactly how I want them, in the exact right size and style! Almost all of my household DIY experiments have ended up with me making something that is as good or better than the corporate alternative, for a fraction of the price.
Now obviously DIY isn't unique to steampunk, but for me the two things are really all part of the same attitude. Steampunk celebrates the independent artist, the one of a kind creation, not the mass-produced. And part of that ties in with the original punk rock, anti-corporate ethos. There's no reason to let a corporation get rich selling you something you could easily make yourself, right?
I really do credit steampunk for making me look at the world around me in a different way. I look at my bland home and I want to personalize it. I want to do wild things to the walls and the furniture. And perhaps most importantly, I now have a voice inside me telling me that I CAN do all these things. Even things that scare me, like anything involving power tools or major home repairs, I know deep down I could it do if I researched enough and worked hard enough. I didn't have that inner confidence in my own abilities before steampunk. I was terrified of using a sewing machine! I never would have thought I could make a corset! I definitely never would have tried working with leather, or metal, or any of the other skills I've learned in the last 4 years.
So that's what I think of when I think of "living a steampunk lifestyle." It's about not looking at things in a conventional way, seeing the potential in the everyday, and not being afraid to try new things. It's about looking for ways to make your everyday life more interesting, more beautiful, and less normal. When it comes right down to it, THAT'S why steampunk is important, and it's not just about wearing brown clothes.
Friday, December 13, 2013
Friday Finds: Steampunk Papercraft
All of the following papercraft projects are available free to print and create yourself! Perfect holiday crafts for kids or adults!
A lovely antique globe free printable, with a link at the bottom to a Christmas ornament version! From paperpino.com
Airship Pub Papercraft by Gaslight Papercraft
Steampunk Gear Wall Decoration by Gaslight Papercraft
Antique Italian Dirigible Papercraft
Steampunk War Machines by Tektonten Papercraft
An absolutely gorgeous version of H.G. Well's Time Machine. Original site is in Japanese.
Tuesday, December 10, 2013
Book Review: Hatshepsut's Collar
Hatshepsut's Collar by A.W. Exley
This was a solicited review. The author (who has been known to hang out around this blog) requested me to review her latest book in exchange for a free copy.
This is the second book in a series, so I had a little bit of catch-up to do since I haven't read the first. For the most part it wasn't particularly difficult to keep up, but I do wish I had seen the beginning of the relationship between the two main characters, as I felt it would have helped my understanding of them.
The book centers on the professional and romantic relationship between Cara Devon and Viscount Nathaniel Lyons. Nate runs an airship company whose imports are sometimes of dubious legality and is also an agent of the Queen. Unfortunately there is a mysterious falling out between himself and Queen Victoria and he is arrested and thrown into the Tower of London. At which point Cara must take over his operations to rescue him. Their adventures take them to Imperial Russia and back before the story is done, on the trail of a disturbing conspiracy to overthrow the throne of England.
The setting is fairly standard for a steampunk novel. The Victorian England depicted is close to the historical one, and the author seems to be knowledgeable about the period. Of course there are also airships all over the place, both in the hands of pirates and privateers and Her Majesty's Airship Corps. There is also a distinct fantasy element in the world, mostly in the mysterious artifacts around which the plot revolves. These are ancient artifacts (such as the titular Hatshepsut's Collar) with supernatural powers. I won't go into more detail for fear of spoiling the plot. I did find some of the supernatural aspects of the story some of the hardest to buy into. For example, as a result, I gather, of the first novel's plot, the two protagonists are soul-bonded to each other and can communicate through a psychic link. It's not that this idea is badly handled, but rather feels unnecessary to me.
In addition to being a steampunk adventure, the novel is a romance. Again, it's a little difficult for me to completely decide how I feel about the central relationship because I feel like I'm missing pieces of the puzzle as a result of not reading the first book. It's not a perfect romantic relationship, as Cara has problems trusting Nate, and they do not always communicate effectively. There are explicit sex scenes, which honestly I felt were some of the weakest parts of the novel. They felt a little clumsily incorporated into the story and there didn't seem to be a consensus from scene to scene of how much to describe and how much to obscure and it felt uneven. (I say this as someone with a fair bit of experience writing explicit scenes myself, so I pay attention to more technical aspects than perhaps others do.) Overall, I ended up liking the characters and rooting for their relationship, but I wasn't drawn in to the romance in the way I really want to be when reading a romance.
But overall the novel is well-written and engaging. I was pleased at the world-building and way in which historical and fantasy elements were combined. The characters are well-drawn, including the more minor characters. Some steampunk novels feature characters that feel like interchangeable cardboard cut-outs made to fulfill certain narrative roles, but these feel like real people, three-dimensional, flawed, and believable.
Friday, December 6, 2013
Friday Finds: Steampunk Tree Ornaments
First off, let me point you to "Brass Friday", a steampunk sale organized by Abney Park, with lots of indie Steampunk makers offering discounts today. That includes myself. Everything in my Etsy shop is 15% off this weekend with the code "BRASS." Go get some cool gifts!
Second, some ornaments.


Wednesday, December 4, 2013
November/December Steampunk Blog Link-Up
Soooo, November went by pretty fast, huh? I totally forgot to post one of these for November. Things have been wild.
Anyway, so bloggers, feel free to share anything you've posted in November or anything you post in December. Grab the code below to share this!
Anyway, so bloggers, feel free to share anything you've posted in November or anything you post in December. Grab the code below to share this!
Monday, December 2, 2013
Supporting the Steampunk Community
This article was written in May 2013 for the Preview issue of Aether Magazine, which never went to publication. I'm reprinting it here so that it actually gets seen.
Annoying but Necessary Disclaimer: I naturally don't have first hand knowledge of steampunk communities outside of my region and can't speak for them. This post is not aimed at any one person or group and is not in reference to one specific event or situation. It's a response to many different instances observed over a long period of time.
We very often talk about the "steampunk community" or in a more specific form, "the (insert region here) steampunk community." In my case this is "the Texas steampunk community." But what do we mean by community? Are we simply a collection of people who all wear a certain kind of weird clothing? If not, what makes a community?
Well, in my opinion, one of the characteristics of a community is that a community supports its members. The image that might come to mind is the oft-referenced barn-raising. But support comes in a lot of different packages and sizes.
I have a belief. It is that steampunks should support fellow steampunks. That's a very broad statement, and the argumentative out there are probably already overrun with reasonable exceptions to that rule. That's ok, I've got my own. But one thing I'm pretty sure of is that if steampunks don't support the steampunk community, the future of the steampunk community is in jeopardy.
So, what kind of support am I specifically talking about? Well, we'll get there, but first I'm going to offer a series of hypotheticals.
Say you have a friend (or member of your community) who is a musician. This musician puts out an album, something you know he's been working on doing for a long time. What do you do? Well, if you're being a supportive friend, you buy the album, right? This isn't that complicated. Do you go up to your friend and say, "hey, man, I really like your music and want your album, will you give it to me for free?" Unless you are very tacky, you don't do that. (Although people being people, I would not be surprised to hear from musicians that this happens. *sigh*) Do you go illegally download the album without paying? Well, no, you shouldn't. If you want to be supportive to your friend, you take the money you would have spent going out to lunch and you just buy the damn album. (And let's just all agree that there's a difference between illegally downloading a record by the Beatles and illegally downloading a record by a struggling local indie artist.)
So, ok, that was an easy one. So let's imagine that your friend, the musician, is playing a show. What does a supportive friend do? You show up, pay your entry fee, and cheer them on. Do you demand your friend put you on the guest list so you don't have to pay? Probably not, unless you have some kind of understanding with your friend.
So my example of a musician has pretty obvious correlations to other types of artists. If you enjoy someone's work, you should be willing to give the artist fair market price for that work. Maybe you work out some kind of alternate arrangement, some kind of barter, but you should still be offering something of real, equivalent value to the price. Once again, this is fairly simple.
But what if your friend isn't an artist? What if your friend (or the member of your community) is instead someone who is organizing an event or a con? Does that change how a supportive person should behave?
Here's the reason I'm asking these questions: I have heard and observed a lot of weird behavior from steampunks towards steampunk events. It seems that whenever a steampunk event is announced, the line of people who expect free admission becomes very long, very quickly. Some people may want to be a guest, may want to be paid, may want free rooms, travel, whatever. Some people maybe just want to be involved. But it seems like a lot of people expect to be admitted free and if they are not, they will not attend.
Let's accept something up front: events can only have so many guests. They can only let in so many people for free. Someone is having to make decisions on who those people will be, and it's understandable to be disappointed and maybe even hurt if you don't make the cut. But unfortunately the next step for many seems to be to form a grudge against the event or the organizer and refuse to have anything to do with them.
Even more unfortunate are situations where someone feels snubbed and then tries to convince others not to attend an event. There's another thing I've observed that keeps people from attending steampunk events and that is just plain bad feeling and negative gossip. I've heard first year events, on multiple occasions, get bad-mouthed based on "so-and-so said that this person involved with it is such-and-such" or "the organizers don't know what they are doing because they didn't take my suggestion." These kinds of statements invariably seem to end with "so I'm not going to go." To be honest, this really, REALLY pisses me off.
Here's the thing. I'm a steampunk. I live in Texas. If there is a steampunk event in Texas that I can manage to attend, I'm going to attend it. I feel a responsibility to do so, because I want this community to grow and thrive. I want our event organizers to do well so that they can continue to hold events. Which means I will show up and pony up my entry fee, even when that's difficult for me to do, as someone with a disability who had to quit her day job.
It also annoys me, as a vendor, that vendors pay high fees for the privilege of being part of events, when others expect to get the same without paying their way in. Yes, every event has guests, but there is always going to be a limit to who organizers can afford to have. If you care about steampunk, you should still show up because this increases the chance of the event happening again, when you may be able to play a larger role. It also increases the likelihood of there being more steampunk events in general.
Because if you don't attend, then a time may come when there aren't any events to go to at all. I am honestly afraid that this may be the way our community goes. I've heard a criticism that some event organizers are "only out to make money." Let's allow a moment for all you organizers out there to stop laughing. But seriously, let's get over the idea that having a goal of being fiscally solvent is some kind of evil thing. I run a business. I am concerned with making money so that I can continue to keep going to steampunk events, to keep getting out there and having fun, to keep meeting people, and to keep helping people learn new skills. Events are businesses in the same way. Without enough money coming in, eventually they won't be around to provide us all with a space to have fun, express ourselves, and ply our trade.
Of course, there are also responsibilities that event organizers have towards the community. In return for the support of the community, they should provide the highest quality event they can. This includes going the extra mile to improve the experience off all their guests by making sure there are enough things to do and entertainments available. I think event organizers need to make every effort not to schedule things at the same time as other steampunk events, since that just hurts everyone by splitting the audience. They also have a responsibility to their vendors and guests to advertise and promote their event so that they get a good turn-out. Any event is the result of the efforts of everyone involved, and we all have responsibilities to each other. Exceptional events happen when everyone involved is meeting or exceeding these responsibilities.
In short, I'd like to see more focus on what we, as steampunks, can do for the community and a lot less focus on what we are owed by that community. If you are being exceptional at what you do, I believe you will be recognized and rewarded. But if you are spending most of your time complaining that you don't get enough recognition or rewards, instead of earning those things? It might be time for some reevaluation of priorities. A community requires active participation by all its members in order to thrive. Let's remember how amazing it is that steampunk even exists and that we can have our own events and parties.
Annoying but Necessary Disclaimer: I naturally don't have first hand knowledge of steampunk communities outside of my region and can't speak for them. This post is not aimed at any one person or group and is not in reference to one specific event or situation. It's a response to many different instances observed over a long period of time.
We very often talk about the "steampunk community" or in a more specific form, "the (insert region here) steampunk community." In my case this is "the Texas steampunk community." But what do we mean by community? Are we simply a collection of people who all wear a certain kind of weird clothing? If not, what makes a community?
Well, in my opinion, one of the characteristics of a community is that a community supports its members. The image that might come to mind is the oft-referenced barn-raising. But support comes in a lot of different packages and sizes.
I have a belief. It is that steampunks should support fellow steampunks. That's a very broad statement, and the argumentative out there are probably already overrun with reasonable exceptions to that rule. That's ok, I've got my own. But one thing I'm pretty sure of is that if steampunks don't support the steampunk community, the future of the steampunk community is in jeopardy.
So, what kind of support am I specifically talking about? Well, we'll get there, but first I'm going to offer a series of hypotheticals.
Say you have a friend (or member of your community) who is a musician. This musician puts out an album, something you know he's been working on doing for a long time. What do you do? Well, if you're being a supportive friend, you buy the album, right? This isn't that complicated. Do you go up to your friend and say, "hey, man, I really like your music and want your album, will you give it to me for free?" Unless you are very tacky, you don't do that. (Although people being people, I would not be surprised to hear from musicians that this happens. *sigh*) Do you go illegally download the album without paying? Well, no, you shouldn't. If you want to be supportive to your friend, you take the money you would have spent going out to lunch and you just buy the damn album. (And let's just all agree that there's a difference between illegally downloading a record by the Beatles and illegally downloading a record by a struggling local indie artist.)
So, ok, that was an easy one. So let's imagine that your friend, the musician, is playing a show. What does a supportive friend do? You show up, pay your entry fee, and cheer them on. Do you demand your friend put you on the guest list so you don't have to pay? Probably not, unless you have some kind of understanding with your friend.
So my example of a musician has pretty obvious correlations to other types of artists. If you enjoy someone's work, you should be willing to give the artist fair market price for that work. Maybe you work out some kind of alternate arrangement, some kind of barter, but you should still be offering something of real, equivalent value to the price. Once again, this is fairly simple.
But what if your friend isn't an artist? What if your friend (or the member of your community) is instead someone who is organizing an event or a con? Does that change how a supportive person should behave?
Here's the reason I'm asking these questions: I have heard and observed a lot of weird behavior from steampunks towards steampunk events. It seems that whenever a steampunk event is announced, the line of people who expect free admission becomes very long, very quickly. Some people may want to be a guest, may want to be paid, may want free rooms, travel, whatever. Some people maybe just want to be involved. But it seems like a lot of people expect to be admitted free and if they are not, they will not attend.
Let's accept something up front: events can only have so many guests. They can only let in so many people for free. Someone is having to make decisions on who those people will be, and it's understandable to be disappointed and maybe even hurt if you don't make the cut. But unfortunately the next step for many seems to be to form a grudge against the event or the organizer and refuse to have anything to do with them.
Even more unfortunate are situations where someone feels snubbed and then tries to convince others not to attend an event. There's another thing I've observed that keeps people from attending steampunk events and that is just plain bad feeling and negative gossip. I've heard first year events, on multiple occasions, get bad-mouthed based on "so-and-so said that this person involved with it is such-and-such" or "the organizers don't know what they are doing because they didn't take my suggestion." These kinds of statements invariably seem to end with "so I'm not going to go." To be honest, this really, REALLY pisses me off.
Here's the thing. I'm a steampunk. I live in Texas. If there is a steampunk event in Texas that I can manage to attend, I'm going to attend it. I feel a responsibility to do so, because I want this community to grow and thrive. I want our event organizers to do well so that they can continue to hold events. Which means I will show up and pony up my entry fee, even when that's difficult for me to do, as someone with a disability who had to quit her day job.
It also annoys me, as a vendor, that vendors pay high fees for the privilege of being part of events, when others expect to get the same without paying their way in. Yes, every event has guests, but there is always going to be a limit to who organizers can afford to have. If you care about steampunk, you should still show up because this increases the chance of the event happening again, when you may be able to play a larger role. It also increases the likelihood of there being more steampunk events in general.
Because if you don't attend, then a time may come when there aren't any events to go to at all. I am honestly afraid that this may be the way our community goes. I've heard a criticism that some event organizers are "only out to make money." Let's allow a moment for all you organizers out there to stop laughing. But seriously, let's get over the idea that having a goal of being fiscally solvent is some kind of evil thing. I run a business. I am concerned with making money so that I can continue to keep going to steampunk events, to keep getting out there and having fun, to keep meeting people, and to keep helping people learn new skills. Events are businesses in the same way. Without enough money coming in, eventually they won't be around to provide us all with a space to have fun, express ourselves, and ply our trade.
Of course, there are also responsibilities that event organizers have towards the community. In return for the support of the community, they should provide the highest quality event they can. This includes going the extra mile to improve the experience off all their guests by making sure there are enough things to do and entertainments available. I think event organizers need to make every effort not to schedule things at the same time as other steampunk events, since that just hurts everyone by splitting the audience. They also have a responsibility to their vendors and guests to advertise and promote their event so that they get a good turn-out. Any event is the result of the efforts of everyone involved, and we all have responsibilities to each other. Exceptional events happen when everyone involved is meeting or exceeding these responsibilities.
In short, I'd like to see more focus on what we, as steampunks, can do for the community and a lot less focus on what we are owed by that community. If you are being exceptional at what you do, I believe you will be recognized and rewarded. But if you are spending most of your time complaining that you don't get enough recognition or rewards, instead of earning those things? It might be time for some reevaluation of priorities. A community requires active participation by all its members in order to thrive. Let's remember how amazing it is that steampunk even exists and that we can have our own events and parties.
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