This shows the sheer fabric, which doesn't really show up otherwise. |
I decided not to add any metal Egyptian accents to the blouse, at least not right now. If I decide I'd like them there, I may add them later. I want the focus to be on the corset, not the chemise.
I added one more thing to the hem of the train: a loop for holding the train up. I used gold fabric again (although this is from a non-matching dye batch) and simply sewed a wrist strap to the underside of the hem. I have always been afraid of making outfits with trains because I am terrified they will be stepped on or otherwise damaged, especially at crowded conventions. So this is a way for me to keep control of my skirts.
The front apron/panel/sash/belt piece of the costume is a necessity for the Cleopatra look. (I googled and googled and can't find that this piece has a NAME.) I drew the shape of it from the photo and made it in my black fabric. I added appliques of gold fabric for the inner stripes, and then bound the edge in gold for the outer stripes. I intended to bind the bottom and round parts in gold as well, but found that took away from the shape of the piece. I knew I didn't have the artistic skills to paint hieroglyphs on the center panel and didn't want to add printed fabric to the costume, so I went with a line of large brass gears. I have no rationale other than I really like the effect. (Also, see my post about the use of decorative gears in steampunk.) Because of the size of these gears, I worked that transparent thread would be too noticeable, so I used E6000 to glue them on. The upper portion of the panel in the original has gold rays either painted or appliqued on, which I thought would be a perfect use of clock hands. These I both glued and sewed in place.
I originally intended to attach a waistband to the panel and wear it that way, but as this was one of the last pieces to be finished, I ran into a snag when my chronic back condition flared up and made sitting at a sewing machine extremely painful. I decided to simply bind the top edge and pin the panel in place under my corset for the time being. I should be able to ensure the placement is perfect that way at any rate.
Once again I find I have no room for the novel that I need to write about the headdress, so it looks like that piece IS getting it's own post.
No comments:
Post a Comment